COOP COOPER is an independently syndicated film critic with a split personality. His “Southern Side” prints mainstream reviews that appear in various print publications across the mid-south. His “Dark Side” from Los Angeles befouls the site with reviews of horror and grindhouse flicks. Welcome to the site where COOP’s two halves (and his contributors) review and debate the latest film/DVD releases…

Why should you check out the 2nd Annual Clarksdale Film Festival? I can think of a few reasons…

1. Memphis wrestling idols “Superstar” Bill Dundee and Buddy Wayne will be on hand Thursday night for a Q&A following the documentary “Memphis Heat: The True Story of Memphis Wrasslin’.” Anyone who grew up in the area remembers seeing these guys performing on live TV or at the Clarksdale Civic Auditorium. If you missed this event by the time you read this article, pay close attention. There is much more to look forward to the rest of the weekend…

by Coop Cooper

While watching “Gypsy Heart” one might wonder where the story is going, until the payoff when they realize the story is oddly familiar to those who appreciate a good legend. A good samaritan (Glenn Payne) picks up an alluring hitchhiker (Courtney Cheek) on a rural Mississippi road. The more questions the guy asks, the more uncomfortable the girl becomes. Soon it becomes apparent that the girl is hiding something. As they approach their destination, both parties soon discover the reason for their chance meeting…

Set in modern-day Sweden, Mikael Blomkvist (Daniel Craig) is a high-profile journalist publicly disgraced after failing to expose a corrupt business baron. The patriarch of a wealthy dynasty (Christopher Plummer) hires Mikael to investigate a 40 year-old disappearance of a niece in return for information that could clear Mikael’s reputation. When Mikael’s investigation reveals he is on the trail of an elusive serial killer, he enlists the aid of the brilliant, yet antisocial computer hacker, Lisbeth Salander (Rooney Mara), to help him analyze the cryptic evidence.

Based off of the sleeper-hit novels by the late Swedish author, Stieg Larsson, “Dragon Tattoo” was adapted into a 2009 Swedish film with the two remaining sequels filmed back-to-back. The films became an international success and propelled Noomi Rapace (the original Lisbeth Salander) into the Hollywood A-list, securing her first English-speaking role in “Sherlock Holmes: Game of Shadows.” Regardless of the success of these films in the U.S., Hollywood is never one to pass up on remaking a foreign-language hit…

Based on the original 1971 classic, this version of “Straw Dogs” moves the locale from rural England to rural Mississippi. David (James Marsden) and Amy Sumner (Kate Bosworth) return from Hollywood to Amy’s home town to fix up her deceased father’s hurricane-damaged home and so David can get some quiet time to work on his next screenplay. They soon run into Charlie (Alexander Skarsgard) and his contracting crew hired to fix up the Sumner barn. Charlie, an ex beau of Amy’s, gives David a hard time and leers at Amy along with his cronies. An escalating series of circumstances results in these mean-spirited locals pushing too far. They lay siege to the house, giving David and Amy no choice but to fight for their lives…

“Martha Marcy May Marlene” has an oddly cryptic title but a fascinating premise. It stars Elizabeth Olsen (younger sister to the infamous “Olsen Twins”) as Martha, an impressionable runaway who, after a lengthy disappearance, finally contacts her sister Lucy (Sarah Paulson) for a place to stay. Lucy, now married and pregnant, takes in Martha who refuses to divulge any information about the past two years in which she was missing. Through flashbacks, we learn that Martha had been seduced and brainwashed by a Manson-like cult lead by a charismatic nihilist named Patrick (Oscar-nominee John Hawkes). As Lucy and her husband (Hugh Dancy) become increasingly disturbed by Martha’s inappropriately erratic behavior, flashbacks reveal key moments in her time with the cult which hint at the reasons behind her shattered sense of reality…

“The Debt” follows three ex-Mossad agents in 1997 (Helen Mirren, Tom Wilkinson and Ciaran Hinds) who based their entire careers and lives around the fact that in 1966 they captured a notorious Nazi war criminal in Berlin. Despite their accomplishments, they’ve been keeping a terrible secret and when circumstances threaten to expose their shame, they set out not only correct the problem but to also right a wrong committed over thirty years prior. The story behind the secret unfolds in flashbacks with Jessica Chastain, Marton Csokas and Sam Worthington (respectively) playing younger versions of the agents…

Ryan Gosling plays a tough-guy-with-no-name who works as a stunt driver/mechanic in Hollywood while moonlighting as a getaway driver for high-risk robberies. With no friends or family, he lives a solitary existence until he forms an unlikely bond with his struggling neighbor Irene (Carrie Mulligan) and her cute son (Kaden Leos). His shifty, but good-hearted handler (Bryan Cranston) sets the driver up with a possible stock car racing gig bankrolled by a deceptively genial mob boss (Albert Brooks). When Irene’s ex-con husband returns home, a cascading chain of events pits the Driver up against the mob, threatening the life of Irene and her son.

While the story doesn’t seem all that original and the action is fairly sparse, the style is exhilarating…

By Coop Cooper

One highly anticipated sequel (“Tron Legacy”) and one Oscar-winning film (“Black Swan”): Both are now available on DVD for you to buy or rent.

“Black Swan” tells the harrowing story of a talented, yet emotionally repressed ballerina named Nina (Natalie Portman) who suddenly receives the role of her career playing the Broadway lead in “Swan Lake.” When the sleazy and demanding director (Vincent Cassel) challenges Nina to tap into the dark side of her personality in order to play the sinister Black Swan role, she begins a slow spiral into madness. The conniving upstart Lily (Mila Kunis) both seduces Nina and threatens her career, propelling Nina’s insanity into disturbing realms of paranoia and hallucination.

“Black Swan” emulates the unsettling art-house horror films of Roman Polanski and David Cronenberg, but manages to remain explainable enough for general audiences to digest. It punctuates the more disturbing scenes of… CLICK HERE TO READ THE REST OF THE REVIEW AT THE CLARKSDALE PRESS REGISTER WEBSITE

No nonsense this year. I have not the taste nor the stomach for it. I just hope that James Franco understands the folly of hosting during his own nomination. The acid may dissolve him permanently due to overexposure and he shows no signs of relenting. Don’t push our buttons too hard, Frank…

Besides that, Hi …

Once again the fine staff of the Oxford Film Fest have topped themselves to produce the biggest turnout yet. My congratulations to all involved and I already can’t wait to see what is on the menu for 2012.

Films I saw (in no particular order):

The film is written, produced and directed by Coop Cooper (The Small Town Critic) with a production crew that consists entirely of Clarksdale, Mississippi residents.

“The Best Day” is a 15-minute science fiction short about an innocent child in a dire situation. Jenny arrives home from school, excited that newly “resurrected” Mommy has returned, only to find that something is very wrong with her. When Mommy’s memories fully return, so do the tragedies of the past. They were once human, now part of a cruel experiment that repeats over and over… and it is all Daddy’s fault.

THE CAST…

Coop’s most recent MICRO REVIEWS (via Twitter):

Looks like a random video store sampling this time. Sometimes, that’s the way I like it…

TURKEY SHOOT: Bourgeois sadists hunt Aussie political prisoners. Banned in OZ in the 1980’s, but a total exploitation hoot. 3&1/2 out of 5

BOOKIES: 3 college dorks start a gambling operation out of their dorm room and run afoul of the mob. Smug and sloppily written. 2 out of 5

RESTORATION: A disgraced English doctor is forced to marry King Charles II’s mistress, resulting in tragedy and redemption. Epic. 4 out of 5

SHELTER: Shrink meets a schizo man who suffers from a demonic curse. Gimmicky yet stylish thriller from the writer of IDENTITY. 3 out of 5

THE GREAT RAID: True story of WWII rescue of POWs from a Japanese camp in Philippines. Inspiring story yet poorly executed film. 2 out of 5

I SELL THE DEAD: Amusingly well-written tale of cockney graverobbers who specialize in capturing vamps, zombies and aliens. 3&1/2 out of 5

Thy Twitter has spoken.

-Coop

Coop’s most recent MICRO REVIEWS (via Twitter):

Nothing brand new here, but I just can’t get the energy up to go see WANTED II… I mean, SALT…

THE GIRL WITH THE DRAGON TATTOO: Quirky autistic hacker chick fights crime and has a lot of sex in Sweden. High brow yet boring. 2 out of 5

PECKER: Photog’s quick fame ruins lives of loved ones. Semi-autobio of John Waters. Clever allegory for artistic expression. 3&1/2 out of 5

WATCHING THE DETECTIVES: A girl (Lucy Liu) uses wild pranks to woo a nerdy boy (Cillian Murphy). Well-written indie rom-com. 3&1/2 out of 5

SALVAGE (2006): Girl relives her death at the hands of a serial killer over and over. Above par indie horror with a great twist. 3 out of 5

SALVAGE (2009): Mother searches for daughter during invasion by soldiers hunting a murderous mutant. Good tension, lame BBC plot. 2 out of 5

2012: John Cusack tries to save family from the apocalypse. Worst disaster movie ever. Roland Emmerich should take up bowling. 1 out of 5

APACHES: Sinister 1977 British public service film about irresponsible brats dying in farming accidents. Brutal and brilliant. 4 out of 5

Thy Twitter has spoken.

Coop’s most recent MICRO REVIEWS (via Twitter):

Got some high-rated exploitation (and one documentary) this time around! All of these movies are terrific, especially Uwe Boll’s surprisingly powerful RAMPAGE (who would have expected that one?)…

RAMPAGE: Uwe Boll knocks one out of the park. Hyperviolent domestic terrorist shocker delivers. Hell freezes over. 4 out of 5

BITCH SLAP: Fun, hyper violent, tongue-in-cheek exploitation about 3 sex bombs killing each other over loot. 3&1/2 out of 5

THE CALAMARI WRESTLER: Japanese wrestler dies and reincarnates in a mansized rubber squid suit. New camp classic. 4 out of 5

TALES FROM THE SCRIPT: A little bitter, but a must-see doc for anyone even remotely interested in screenwriting. 4 out of 5

GET HIM TO THE GREEK: Russell Brand = comedic genius. Best drug freak out scene of all time. Can’t stop giggling. 4 out of 5

Coop’s most recent MICRO REVIEWS (via Twitter):

SPLICE: Frankenstein redo with icky scruples, laughably repulsive monster and jerk hipster protagonists. Uncool. 2 out of 5.

EXAM: 8 job hopefuls locked in a room with ticking clock and menacing set of rules. Cool concept, sloppy plot. 3 out of 5.

D.E.B.S.: Lesbian evil mastermind seduces crack agent of an all-girl superspy team. Spoof undermines message. 1 out of 5.

DISTRICT B13: ULTIMATUM… Cliche, low on action. Huge insult to the original which set action standards. 2 out of 5.

VALHALLA RISING: A bloody, trippy, grimy, violent, slow and pretentious allegory for the death of religion. 2 out of 5.

For many of you couples, this is probably a common argument: He wants to see the new Bruce Willis action movie while she’d rather see the latest romantic comedy starring Julie Roberts. Now this may not apply to all guys. Girls, if you have a boyfriend/husband who likes most romantic comedies and Victorian Era dramas, then hold onto him. You’ve bagged yourself a sensitive, modern guy there. Since that description doesn’t apply to the majority of men, here is some advice for women trying to convince their significant other to see the latest “chick flick” (don’t worry tough guys… this benefits you too).

Firstly, don’t ever… EVER use the word “cute” to describe a movie. As soon as guys hear a movie is “cute” or “sweet” or any other adjective that conjures images of babies and puppy dogs, they immediately…

Coop’s most recent MICRO REVIEWS (via Twitter):

THE CRAZIES (2010): Great first half, effective scares (pitchfork!) but ignored much of what worked in the original. 3 stars

[REC]2: Creative continuity/action/camerawork, but “Exorcist” twist undermines the mythology of original. 2&1/2 stars

FROM PARIS WITH LOVE: Travolta = over the top and action scenes = outrageous, a must see for action fans. 3&1/2 stars

HOW TO TRAIN YOUR DRAGON: Better than AVATAR in story and intent. Total pleasant surprise. Take kids now. 4&1/2 stars

SHE’S OUT OF MY LEAGUE: Sub-par comedy. Baruchel unlikably insecure. Cop-out ending. Title ironically true. 2 stars.

NINJA ASSASSIN: Good gore. Bad CGI shurikens. Rain = ok. Lead actress sucks. Sho Kosugi rocks. Lame plot. 2 stars.

LEGION: Amazing concept. Angels + weapons = BOOM. Weak execution. All characters unlikable. Wings clipped. 2&1/2 stars.

Like any other venerable, once-popular property, Arthur Conan Doyle’s Sherlock Holmes was bound to get a Hollywood redo sooner or later. Since I never much cared for the stuffy, British “Sherlock” films of the past, I welcomed the idea of a more stylized, updated version of the eccentric detective. Despite my usual dislike of the overrated English director, Guy Ritchie (better known as Madonna’s ex-husband), I felt his modern panache would mix well with the Victorian Era mystery genre. While all the right ingredients seemed present, the end result…

I gave last year’s “Twilight” a fair pass because it pulled off some original and compelling storytelling despite the backlash by non-fans who found the whole phenomenon silly and far too juvenile for mainstream audiences. I went so far as to read the New Moon novel and while I found it uneven, soapy and poorly structured, I understood and enjoyed the way it made a cliché subject readable. I also respected the direction it was heading and was looking forward to seeing the film adaptation and the next sequel (“Eclipse”). That good will has expired because…

High on the heels of the runaway box office hit “Paranormal Activity,” another “found footage” scare flick has entered the scene just shy of the Halloween season. Touting itself as a dramatization of supposedly real taped hypnosis sessions that reveal alien abductions, the creators of “The Fourth Kind” made a sizable gamble. “The Blair Witch Project” was ten years ago and found footage films had not regained a foothold in the genre until “Paranormal Activity” came around. Add to the fact no one expected the escalating hype and sudden wide release of “PA” and “The Fourth Kind” gets the lucky boost it needs for box office success. There’s one major difference between these two films…