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BATMAN v SUPERMAN: DAWN OF JUSTICE was destined to disappoint…

BATMAN v SUPERMAN: DAWN OF JUSTICE was destined to disappoint…

Posted on March 30th, 2016

by Coop Cooper

In an attempt to replicate Marvel’s success, D.C. Comics has united their properties in order to pave the way for a “Justice League” movie. Though it has been tried many times and has failed, it looks like it is finally on track to happen and “Batman v Superman” has arrived to set it all up. Unfortunately, it seems as if it was destined to be a disappointment.

While Clark ‘Superman’ Kent (Henry Cavill) was fighting General Zod and the Kryptonians in “Man of Steel”, Bruce ‘Batman’ Wayne (Ben Affleck) was on the ground in Metropolis witnessing the destruction of the city and of his branch office, resulting in the death of his employees. Horrified by the incident and warned by a prophetic vision delivered by another superhero, Wayne develops a deep distrust of Superman and starts searching for the Man of Steel’s weakness…

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10 CLOVERFIELD LANE finally explains why that ugly monster was eating New York…

10 CLOVERFIELD LANE finally explains why that ugly monster was eating New York…

Posted on March 21st, 2016

by Coop Cooper

Before he singlehandedly took over the “Star Trek” and “Star Wars” franchises, producer J. J. Abrams created a bizarre and intriguing air of mystery around his 2008 project “Cloverfield”. He released little information about it, shrouding its plot in secrecy in such a way that set the internet aflame with speculation. In the end, it turned out to be a simple found-footage monster movie with a few interesting surprises thrown in. The current spinoff, “10 Cloverfield Lane” was so secret, nobody even knew of its existence until two months before its release. While not a true sequel to “Cloverfield”, it does enhance the franchise and helps explain a big mystery about the original film…

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HAP AND LEONARD may finally bring author Joe R. Lansdale the spotlight…

HAP AND LEONARD may finally bring author Joe R. Lansdale the spotlight…

Posted on March 18th, 2016

by Coop Cooper

For a mid-season, hard-bold, southern-fried detective cable TV show with a bit of comedy, this one hits me in all the right places.

Set in 1988 in East Texas, caucasian cowboy Hap Collins (James Purefoy of “The Following”) and his gay, African American best friend, Leonard Pine (Michael Kenneth Williams of “The Wire”), get laid off as day laborers at a rose bush farm. Struggling to make a buck, Hap receives a visit from his no-good ex-wife Trudy (Christina Hendricks of “Mad Men”) who offers them a get-rich-quick mission to find a sunken car containing a million dollars in cash. Hap, being the only one who knows the location of the abandoned bridge the car is located under, reluctantly agrees as long as Leonard – who is an ex-marine and a diver – gets cut in on the deal. Trudy’s current hippy husband (Bill Sage) and his misfit revolutionary group are fronting the job, but little do they know a nerdy psychopath (Jimmi Simpson) and his lethal punk rocker girlfriend (Pollyanna McIntosh) are on the hunt to grab the cash for themselves…

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DOWNTON ABBEY, the end of a TV phenomenon…

DOWNTON ABBEY, the end of a TV phenomenon…

Posted on March 7th, 2016

by Coop Cooper
Although the final episode aired during Christmas in the UK, American audiences got their last glimpse of “Downton Abbey” during the PBS Masterpiece Theatre finale this past Sunday. The show, which chronicled the trials and tribulations of the Lord of Grantham and his royal English family for six seasons could have been easily dismissed as a stuffy, British soap opera with little appeal to American or international audiences. Instead, the series became PBS’s biggest programming hit of all time and captured the imagination of viewers from countries like Argentina and Japan…

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If the 88th Annual Academy Awards needed a diversity reality check then everybody blew it, including Chris Rock…

If the 88th Annual Academy Awards needed a diversity reality check then everybody blew it, including Chris Rock…

Posted on March 2nd, 2016

by Coop Cooper

In his opening monologue at the 88 Annual Academy Awards, host Chris Rock joked that in the 50’s and 60’s blacks weren’t protesting the Oscars. He explains: “We had real things to protest at the time. They were too busy being raped and lynched to care about who won ‘Best Cinematographer’. You know, when your grandmother is swinging from a tree, it’s really hard to care about Best Documentary or Foreign Short.” The audience – mostly white – laughed loudly and nervously. Were they supposed to laugh? Were we?…

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