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THE MAGICIANS and THE X-FILES.  Neither start off great, but both could reignite obsessions…

THE MAGICIANS and THE X-FILES. Neither start off great, but both could reignite obsessions…

Posted on January 25th, 2016

by Coop Cooper

One is a new TV series based on a popular novel trilogy and the other is a true classic TV series resurrected for a new generation. Here are the new, highly-anticipated shows that premiered this week…

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SPOTLIGHT and THE BIG SHORT are pretty good as far as heavy-handed, outrage pieces go…

SPOTLIGHT and THE BIG SHORT are pretty good as far as heavy-handed, outrage pieces go…

Posted on January 19th, 2016

by Coop Cooper

Outrage pieces aimed at real-life institutions and events are compelling but like documentaries covering similar topics, they deserve skepticism and scrutiny in their presentation of the facts as well as their intentions, both political and personal. One thing that makes these films so polarizing is that they have an agenda and rarely present both sides of an argument, so they should be taken with a grain of salt even if they appear to be correct. Here are two Oscar-nominated films up for Best Picture that fall under this category…

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THE REVENANT must be seen in theaters!…

THE REVENANT must be seen in theaters!…

Posted on January 12th, 2016

by Coop Cooper

Every year I find at least a handful of movies that surprise me enough to earn my highest rating. It’s always a short list but it takes special mixture of originality, superior storytelling, spot on acting and spectacle for a movie like “The Revenant” to come along and surpass all expectations.

Based on a true story from the 1820’s, frontiersman Hugh Glass (Leonardo DiCaprio) and his half-breed Pawnee son (Forrest Goodluck) leads a party of fur trappers through the bitter cold of the American wilderness when they are attacked by marauding natives. Forced to leave most of their haul behind, the party flees for their outpost and Glass is mauled by a grizzly along the way. Unable to carry him further, the Captain (Domhnall Gleeson) offers a reward to those who stay behind to care for Glass until he either heals or expires. Fitzgerald (Tom Hardy) stays behind but betrays Glass by killing his son and leaving Glass for dead. Despite his grave injuries, Glass somehow survives and makes his way hundreds of miles across dangerous country to track down Fitzgerald and get his revenge…

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THE HATEFUL EIGHT is proof that Tarantino’s ego has reached critical mass…

THE HATEFUL EIGHT is proof that Tarantino’s ego has reached critical mass…

Posted on January 8th, 2016

by Coop Cooper

There are a few famous filmmakers out there who I feel have developed an unhealthy contempt for their audiences. At some point in their career, their inflated egos take over and they no longer care if anyone enjoys their films as long as they get what they want out of it. They give grandiose speeches on why everyone else is wrong or stupid but them and frequently lash out at critics and fans over the pettiest of nitpicks. Their movies become increasingly self-indulgent, less accessible to general audiences and their creative choices become questionable at best and spiteful at worst. We’ve seen this happen with M. Night Shyamalan, Kevin Smith and George Lucas, all of whom polarized and alienated many fans with their toxicity (well, “The Visit” was terrible but Shyamalan is at least trying to get back in our good graces). Although he may have already succumbed to this long ago, I believe Quintin Tarantino presently falls squarely into this category and I offer “The Hateful Eight” as evidence…

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