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MICRO REVIEWS (via Twitter!):  MOTHER, MONSTERS, THE KILLER INSIDE ME, INTRUDER, DRILLBIT TAYLOR, THE TOWN, CENTURION…

MICRO REVIEWS (via Twitter!): MOTHER, MONSTERS, THE KILLER INSIDE ME, INTRUDER, DRILLBIT TAYLOR, THE TOWN, CENTURION…

Posted on September 27th, 2010

Got a slew of them here. MONSTERS is currently available as a $10.oo rent on iTunes and THE KILLER INSIDE ME will be available on DVD/Blu-Ray tomorrow (Sept. 28)…

MOTHER – Poor Korean mom turns detective in an attempt to free her alleged murdering, simple-minded son. Powerful cinema. 5 out of 5 stars.

MONSTERS – Immigration statement thinly disguised as arthouse sci-fi. Watchable for critics, unsatisfying for mainstream. 3 out of 5 stars

THE KILLER INSIDE ME – C. Affleck plays a psycho lawman in 1960’s TX. Brilliant, brutal and one of the best of the year. 5 out of 5 stars

INTRUDER – Sam Raimi & crew try to survive a slasher attack in a supermarket. Nice camerawork but lame considering the talent. 2 – 5 stars

DRILLBIT TAYLOR – Innocuous comedy where 3 nerds hire a homeless buffoon to protect them from a bully. Cute but hollow. 2&1/2 out of 5 stars

THE TOWN – A guilt-ridden Boston bank robber falls in love with a former hostage. Affleck remakes HEAT with kick-ass results. 4 out of 5 stars

CENTURION – Spec fiction about what may have happened to the 9th Roman Legion. Sloppy pacing/high watchability. Bloody brutal! 3 out of 5

Thy Twitter has spoken…

-Coop

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A SERBIAN FILM… DARK SIDE returns to review the most controversial horror movie of the year!

A SERBIAN FILM… DARK SIDE returns to review the most controversial horror movie of the year!

Posted on September 20th, 2010

So apparently THE HUMAN CENTIPEDE is no longer the most disturbing film of 2010…

A SERBIAN FILM has been shocking and flabbergasting audiences in the festival circuit this summer and for good reason, it features some grisly set pieces and sequences that have caused people to both condemn it for audacity and praise it for its satirical and political messages. I had to see it for myself and now that I have, I see what the big deal is. I also see the movie what it truly is: A missed opportunity.

Milos (Srdjan Todorovic) is a retired Serbian porn star trying to go legit with a Swedish interpreter wife and a 10-ish year-old son. He can’t seem to get a break, so he takes the odd skin flick job to help pay the bills. One of his scumbag ex-co-stars gives him a lead on a supposed well-funded filmmaker offering Milos an exorbitant amount of cash to make an arthouse porn film. This crazed filmmaker, named Vukmir Vukmir (Sergej Trifunovic), explains to Milos that the cash agreement will be honored as long as Milos enters the scenes without a script or prior knowledge of what they are about. Milos must then improv his way through the scene. Though uncomfortable with the conditions, Milos cannot turn down the money, so he agrees. The scenes start off mildly disturbing, then escalate to violent and illegal…






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THE RISE OF THE “HOAXUMENTARY”: ARE FILMMAKERS CROSSING THE LINE? by COOP

THE RISE OF THE “HOAXUMENTARY”: ARE FILMMAKERS CROSSING THE LINE? by COOP

Posted on September 7th, 2010

In 1999, the world became fascinated by a little independent film called “The Blair Witch Project”. Word spread about this “real-life” found footage of college kids being stalked and ultimately murdered by a spectral being which sparked a wildfire of interest and prompted many people to discuss and investigate this story. Of course we all know now it was phony and even the smallest amount of research revealed the truth, but at the time it was quite the sensation. If you’re like me and keep up with current film industry rumors and news, you were clued-in far ahead of the rest of the general public. Besides, the movie never technically claimed to be real (even the “based on true events” tag no longer holds validity since then), merely the clever marketing suggested it could be.

Now in more jaded times, audiences are harder to fool. We think we’ve seen it all and most of us can’t fathom being duped like that again. This has prompted many filmmakers to resort to gimmicks or ambitious campaigns, sometimes involving some type of a hoax, in an attempt to get their project noticed. Three films releasing this year are trying to accomplish just that and so far, it looks like at least two are succeeding. They herald the return of the genre known as the “Hoaxumentary” which takes the “Mockumentary” one step further by officially claiming to be 100% real. These films are: “I’m Still Here”, “The Virginity Hit” and “Catfish”…






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